Nesting Doll, Matroishka, Matryoshka or Stacking Doll - Whatever We Call Them, We Love Them!
The history of this favorite plaything of children and gem of doll collectors begins
in 1899 in Sergiev Posad, a town a small distance from Moscow, Russia. This region
of Russia has been known for it's toymaking for centuries, and popular legend has it
that a nesting doll was brought to this place from Japan, just before the turn of the
20th century, and the local toymakers took immediate inspiration from the idea. Both
the downfall of the Tsarist regime and the beginnings of the industrial revolution contributed
to the Russian nobility looking for the first time at peasants as real artisans.
When industrialization threatened to replace the folk art of this nation, the Matryoshka
doll succeeded in unifying the unique Russian folk style of painting with the wood
working tools of an increasingly mechanized age.
|
|
Here in the USA, you will most commonly find reference to these carved and
painted sets of dolls as Nesting Dolls. The correct word in Russian
in Matryoshka - which relates to the root word Mat, meaning
Mother. You may also encounter this word being spelled Matreshka
and Matrioshka. The correct plural of Matryoshka is Matryoshki, but
here in America, we often use our familiar system of plurals and simply
say Matryoshkas. Apart from the familiar appellation Nesting Dolls,
it is common to find these dolls being labeled Stacking Dolls, or even
Pull-em-apart Dolls.
|
The Russian craftsmen were expert lathe operators and had been making
their beautiful nesting Easter eggs for generations before the first
nesting doll supposedly was brought to Russia from Japan by a merchant
or traveler. The move from making egg-shaped objects to doll-shaped
ones was a natural step. It is asserted by nesting doll historians
that the very first Russian stacking doll was painted by
a peasant named Sergei Malyutin. The aristocracy so loved the first matryoshka
dolls that they began to sponsor their production and founded workshops
and toyshops for this purpose. The photo shown to the right here is
of a Russian Easter Egg, featuring the famed icon of the Madonna of Vladimir.
Though this is not an actual stacking egg, it beautifully captures the tradition
of telling stories through painted wood carvings that was to become a major
hallmark of the nesting doll in years to come.
The process of burning designs into wood was used on Easter eggs
for a complex, raised effect. This skill carried over into the making
of nesting dolls in the early years of their creation.
Early Nesting Dolls
The first matryoshkas / matryoshki came in sets of 3, 6 or 8 dolls. The
doll reputed to be the first ever Russian nesting doll depicted a peasant
woman, and this style was to become known as the Sergiev Posad Matryoshka
style. Wearing the traditional folk costume of head scarf and apron, and
often carrying some familiar object in her hand such as a chicken or a basket,
it is this very simple style of wooden nesting dolls that is most familiar
to us to this day. The photograph to the right shows a beautiful, modern
example of the traditional Sergiev Posad style of nesting dolls. Each
doll in this large 20 piece set holds a strawberry in her hands. The largest
of the dolls in 9" in height and the baby of the family is so tiny, she
is hardly there at all! The bottom of this set of nesting dolls is
signed by a present day artist who is carrying on the tradition of this
historic toymaking region of Russia.
Early Matryoshka dolls were made both in the familiar 'human' form,
but also in the shapes of tubes, bells and bottles. Though most were
made as toys and ornaments, some were also made as caricatures of
religious figures who were rapidly falling out of favor with the
Bolshevik regime.
By 1911, the city of Sergiev Posad had 41 Matrioshka workshops, and
when the dramatic revolution came to pass in Russia in 1917, the ban on the import
of toys from other countries only increased the importance of nesting
dolls. Unfortunately, the ensuing political takeover of the country by Josef Stalin
had less happy consequences for artisans. All of the workshops were
consolidated into a single master production center - the Sergiev Posad
Handcraft-Industrial Artel. Dollmakers were no longer free to paint
whatever they might fancy in the way of Matryoshka subjects. They
were given orders to craft only the traditional peasant woman style
of nesting dolls and such strict guidelines were unfortunate inhibitors to
the creativity that is so essential to genuine folk art. A very settled
and uniform style of dolls was the end result of Stalin's rule.
World War II saw a increase in the production of the nesting doll. The
Russian government saw that this little doll had come to symbolize something
important to the Russian people. At a time when patriotism and culture
seemed the vital issues of the day, a second major dollmaking center was opened -
the Zagorsk Artistic-Production Workshop. A third, the Factory of Toys
and Cultural items, opened in 1947. Little by little, across the decades,
further dollmaking centers arose throughout Russia, and though the dolls
made in the east do possess a characteristic 'Asian' look to them, for the
most part, nesting dolls produced between 1920s - 1980's have a remarkable
sameness.
Perestroika and the rise of the unique Nesting Doll
Glasnost, meaning openness was the slogan of the new Russia
of the 1990's. During this period, two art markets, not government-sanctioned,
were allowed to appear in Bitsevsky Park and Izmailovsky Park. The loosening of
the government's hold on the people resulted in a new creativity emerging in Russia,
and the introduction of the famous Gorby Matryoshka doll truly served to break
ties with past history. This nesting doll, depicting a somewhat irreverent image of
Mikhail Gorbachev, was a hit with the Russian people and was widely copied by
nesting doll makers all over the country. The image shown at left illustrates
how this newfound love of political satire has continued to be a popular theme
with Matrioshka artists, and the appearance of the first Gorby doll opened the
floodgates for dollmakers. A whole new world of nesting dolls arose out of this
time of struggle and change.
Popular themes of modern Matryoshka Dolls
Some of the most beautiful dolls that began appearing in the new Russia depicted the folk tales
and fairy tales beloved by the Russian people. Extensive use was made of the middle part of
the doll, acting as a window onto special scenes from these old stories. Princes and princesses,
the strange old woman, Baba Yaga, and various enchanted animals appear in these cameos of
beauty and color. Exquisite gold leaf embellishments adorn the scarves, jewelry and clothing
of the dolls, giving them a jewel-like quality. To the right, we see a nice example of
a 5 piece set of wooden nesting dolls painted to represent the two traditional Christmas/New Year's
characters of Russia.The figure that resembles our Santa Claus is their Grandfather Frost, and
the woman is Snegurochka, the Snow Maiden. The winter theme is completed with a snowman, a penguin
and a bear.
If you enjoy collecting Russian nesting dolls, researching the basic themes of Russian folk tales
will truly enhance your understanding and appreciation of the many fantasy-themed stacking dolls
that are produced today. Chances are, the children's section of your local library will be able
to provide you with a collection of these interesting and unusual stories.
Perhaps, for me, the most touching of all nesting dolls are the ones that display the historic
religious icons of Russia. The example shown here on the left is quite a stunning one of this
particular artform and features the Mother and Child, Jesus Christ and important patron saints.
Some of the icons these images are based upon are said to predate the Dark Ages. My study of the history of this country has always left me with the feeling
that the Russian people have known more of their share of troubles because of the maneuverings
of their political leaders down the centuries. War, revolution and severe oppression are the
recurring themes in the story of this distant land.
During communist rule, the government declared
it illegal to believe in God. Just like that. This caused untold psychological stress for
the older Russian citizens who had grown up in a faith-based country. I have read tales of old
grandmothers hiding small altars in their closets at home, worshipping in secret, knowing that
their actions would be considered punishable criminal ones by their government. Christianity was
kept alive in Russia by means of underground activities like these and the older generation
tried, in many cases, to pass on something of the former life to their children. Thus, it
touches my heart to see religious icons depicted so beautifully on Matryoshka dolls since the
downfall of communism in 1991. I see them and I think of those devout grandmothers' prayers.
Nesting doll makers are keeping up with the times, as well, and the sample shown at right of
a popular dog breed painted over the basic shape of a doll is a perfect example of how artisans
are attempting to fill and create new collectors' markets. Whether your favorite dog breed is
the Poodle, the Pug or the Pomeranian, chances are, you can find a Matryoshka that celebrates
man's best friend to your exact taste! Wild animals have also become popular themes for these
dolls as modern people learn to place a greater value on the natural world. And, for pop art
fans, you will find rock stars and other famous figures adorning sets of stacking dolls. The long
and unique history of Russia and its people has resulted in a form of doll that is unlike any other.
How Matryroshka Dolls Are Made
All nesting dolls begin with two pieces of wood. The better dolls are made
of sturdy linden wood and the cheaper stacking dolls are made of more brittle
birch wood. People often incorrectly assume that this doll would be created
by carving it from one branch and then cutting it in two down the middle,
but such is not the case. The lip that fits the dolls together necessitates
both pieces to be created separately. Whether highly automated or worked by
hand, a split, cured log is turned on a lathe that smoothes the wood. The
smooth piece is then further turned on a lathe and shaped by the craftsperson
with a curved chisel called a gouge.
The blank dolls are then rubbed with a liquid starch that seals the wood. The primed
nesting dolls are then presented to the painters. At the present time, there is an
extremely wide variety in the setup of doll making operations. There are tremendous
factories where the dolls are painted by an assembly line of workers. One paints
outlines. The next fills in colors. The next might do the face, or gold leaf work.
Then, there are backyard operations being run by families where the husband does
the lathing and the wife does the painting. Flowers are the most common embellishment
of Matryoshka dolls, particularly stylized roses, but today's nesting doll artisans
are free to create whatever seems most beautiful or interesting to the individual
creator.
The final step in the making of a nesting doll is the application of lacquer. This is
what seals and protects the paint and gives these dolls their distinctive sheen. Lacquering
is done by hand whether the operation is on a large or small scale, and top quality
art Matryoshka dolls are carefully lacquered with numerous coats applied with a fine brush.
Collectors' Value of Nesting Dolls
Matryoshka collectors commonly refer to these dolls as mats and you are likely to
encounter this term when trying to identify a particular doll in order to gain a sense
of its present value. Both doll size and the number of pieces in a nesting doll set
are important factors.
Though one encounters simple 3 piece sets, nesting dolls sets of 5 and 7 pieces
are most common. Dolls with more than 20 pieces are more valuable than the inexpensive
typical sets and the largest recorded Matryoshka doll set was produced by the Semyonov doll factory.
It contains 72 pieces! So, the more complex the toy, the more one can expect to see it take
at auction.
6" seems to be the median size for typical Matryoshki from most factories. Price at auction
will go up when one is dealing with either very tiny dolls, called Micromats or with
very large ones. In terms of overall shape, you will encounter both potbellied and
more slender dolls, as well as egg-shaped, conical and bell-shaped dolls.
Because of the nearly century long enforcement of dolls being made to conform to
government standards, dating and identifying nesting dolls from the 20th century will
require an expert, if you need complete accuracy. Very old, museum-quality dolls do appear
from time to time at auction and in such cases, value can be tremendous, particularly with
the right audience. Many best quality dolls feature burned wood designs that add to the
texture and intricacy of the doll.
A few final notes on Matryoshka dolls and their relatives
Perhaps it is the seemingly limitless creativity one encounters in the painting of these
dolls that leads doll lovers to mistakenly assume that all painted, wooden, Russian nesting
dolls are called Matryoshki. I thought it would be helpful to provide a small
clarification here.
If you have a doll that does not come apart, is shaped like a bell and rings
when shaken, this is a Nevalyashka. An extremely complex metal mechanism inside
the body weights the doll and causes it to jingle. Like a familiar American toy from
the 1960's, the Weeble, Nevalyashki dolls wobble but don't fall down. You will sometimes,
in fact, find these dolls listed as Russian wooden weebles, or roly-polys.
The term Babushka (meaning Grandmother) is often incorrectly applied to regular
Matryoshkas. However, a Babushka is a very specific type of wooden doll that comes
apart in the following way: the large grandmother doll opens to reveal three non-nested
smaller dolls - the daughters. Each of these daughter dolls opens to reveal a set
of three tinier non-nested dolls. These, of course, are the grandchildren. This type
of doll is properly called a Babushka.
In addition to the many wooden dolls described and depicted above, you will encounter
wonderful novelty items such as globes filled with small, non-nested people of all nations,
or nesting dolls that serve like acts in a play, each successive one depicting the next
part of a tale. You may find little wooden houses that open to reveal sets of elves
and a tiny ball to play bowling with, using the elves as the pins. Or, nesting dolls that
have a surprise object as the final doll - a teapot, a golden egg, a Christmas tree ornament.
It is the variety of these modern dolls that makes them so exciting to collectors.
In conclusion, nesting dolls can be an excellent choice for the beginning doll collector
to get started with. Though inexpensive dolls may never have much market value, they are
still extremely ornamental and a pleasure to own, and the truly fine dolls created by the
master craftsman are worthy of being the showpiece of your home.
|
In conclusion, nesting dolls can be an excellent choice for the beginning doll collector
to get started with. Though inexpensive dolls may never have much market value, they are
still extremely ornamental and a pleasure to own, and the truly fine dolls created by the
master craftsman are worthy of being the showpiece of your home.
|
|
Permission to display many of the images shown on this page graciously
granted by Russian Traditions,
an eBay store specializing in Nesting Dolls.
|